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J.S. Bach and the French and Italian styles

Sat, Nov 30

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Montreal

Viktor Lazarov, pianist

J.S. Bach and the French and Italian styles
J.S. Bach and the French and Italian styles

Time & Location

Nov 30, 2024, 7:00 PM – 11:00 PM

Montreal, 4000 Rue Saint-Ambroise, Montreal, QC H4C 2C7, Canada

About the event

JS Bach and the French and Italian styles

Viktor Lazarov, pianist

Lecture: The Italian Baroque Style

Domenico Scarlatti (1685-1757)

Sonata in D minor K.9

Sonata in B minor K.27

Sonata in F minor K.466

 

JS Bach (1685-1750)

Italian Concerto, II. Andante, III. Presto

 

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Conference: The French Baroque Style

Jean-Philippe Rameau (1683–1764)

Rondeau Jig

The Birds Recall

Musette in Rondeau

The Tambourine

 

JS Bach (1685-1750)

French Overture, I. Overture


Viktor Lazarov is a researcher and pianist specializing in the analysis of performance styles of the Baroque repertoire and piano works by Canadian, Balkan, and Eastern European composers of the 20th and 21st centuries.

 

Comfortable as a speaker and soloist, Viktor has presented his research-creation work at the Second International Conference on Computational and Cognitive Musicology in Utrecht, the Netherlands; the Ninth Congress on Music and Minimalism in Belgrade, Serbia; the Montreal Bach Festival; the BUNT Festival in Belgrade; and the Paroles de musiciens conference at the University of Évry-Paris-Sarclay in France.

 

Completed at the Faculty of Music of the University of Montreal under the supervision of professors Caroline Traube and Sylvain Caron, Viktor's doctoral thesis proposes an innovative approach for the development of research-creation in performance using a mixed qualitative and quantitative analysis protocol.

 

Viktor is the recipient of numerous awards and grants, including the Opus Prize for “Article of the Year” awarded by the Conseil québécois de la musique in 2021. He publishes for the Canadian journal of arts, music and culture, La Scena Musicale , as well as in scholarly journals such as Musurgia, CIRCUIT and La Revue musicale de l'OICRM.

 

He earned a Master of Music and a Graduate Diploma in Performance from the Schulich School of Music at McGill University, and a Bachelor of Music in Performance from the University of South Carolina School of Music. He also holds a Graduate Certificate in Business Management from Concordia University's John Molson School of Business.


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Viktor Lazarov is an interdisciplinary researcher and performer specializing in the analysis of baroque performance practice styles and 20th and 21st century piano repertoire by Canadian and Balkan/Eastern European composers.

Equally at ease in the lecture recital, lecture and solo recital settings, Viktor has presented his work in research creation at the Second international Conference on Computational and Cognitive Musicology in Utrecht, the Netherlands; the Ninth Congress on Music and Minimalism in Belgrade, Serbia; Montreal's Bach Festival; the BUNT Festival in Belgrade; and the congress Paroles de musicians at the University of Évry-Paris-Sarclay in France.

Completed at the Faculty of Music, University of Montreal, under the supervision of professors Caroline Traube and Sylvain Caron, Viktor's Ph.D. thesis proposes a novel approach for the development of artistic research creation in interpretation using a mixed qualitative and quantitative analysis protocol.

Viktor is the recipient of numerous awards and scholarships, including the Opus Prize for the “Article of the Year” awarded by the Conseil québécois de la musique in 2021. He writes for the Canadian magazine for arts, music, and culture, La Scena Musicale , and has published in scholarly journals such as Musurgia, CIRCUIT and La Revue musicale de l'OICRM .

His previous training includes an M.Mus. and a Graduate Diploma in Performance at the Schulich School of Music, McGill University, and B.Mus. in piano performance at the University of South Carolina, School of Music. He also holds a Graduate Certificate in Business Administration from the John Molson School of Business of Concordia University.

Tickets

  • Non-member tickets

    Includes 1 year "Curious" membership at Studio Disonnances

    CA$60.00
    Tax: +CA$8.98 TPS/TVQ+CA$1.72 service fee
  • 12 years and under

    Children 12 and under are welcome to attend the concert free of charge provided they are accompanied by a responsible adult.

    CA$0.00

Total

CA$0.00

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